For as long as I can remember, I’ve been drawn to the way art holds meaning—how it connects to ideas, stories, and the world around it. Even as a kid, I was exploring themes and making things up as I went, without realizing I was already working through questions I’d come back to later. I work across many media—photography, drawing, painting, filmmaking, and bookmaking—often blending traditional techniques with experimental or alternative approaches. Some days I’m deep in a hands-on process; other times I’m editing, writing, or building something from scratch.

What connects all of it is a deep interest in process. I’m drawn to early drafts, unfinished marks, and the places where an image breaks down or takes a new shape. Those moments—uncertain, messy, in-between—often say as much as the final version. I keep making work because I’m curious about where it might lead, and what it might reveal along the way.